Closing credits or end credits are added at the end of a motion picture, television program, or video game to list the cast and crew involved in the production. They usually appear as a list of names in small type, which either flip very quickly from page to page, or move smoothly across the background or a black screen. Credits may crawl either right-to-left (common in U.K. and some Latin American television programs) or bottom-to-top (common in films and U.S. television). The term credit roll comes from the early production days when the names were literally printed on a roll of paper and wound past the camera lens. Sometimes, post-credits scenes or bloopers are added to the end of films along with the closing credits.
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The use of closing credits in film to list complete production crew and cast was not firmly established in American film until the 1970s. Before this decade, most movies were released with no closing credits at all. Films generally had opening credits only, which consisted of just major cast and crew, although sometimes the names of the cast and the characters they played would be shown at the end, as in The Wizard of Oz, Mary Poppins, Oliver! and the 1964 Fail Safe. Two of the first major films to contain extensive closing credits - but almost no opening credits - were the blockbusters Around the World in Eighty Days (1956) and West Side Story (1961). West Side Story showed only the title at the beginning of the film, and Around the World in Eighty Days, like many films today, had no opening credits at all.
Around the World in Eighty Days (1956) had one of the longest and most elaborate closing credit sequences of any film. The credits took around seven minutes to finish. It provided an animated recap of the movie's three-hour storyline, identifying the actors in the order in which they appeared. Superman also had a very long closing credits sequence. It took nearly eight minutes to end, and at the time of the film's release it was the longest end credits sequence ever.[1] Although, some live action/animated films' end credits later ran from 7 to 8 minutes in length, such as Space Jam (1996), Scooby-Doo (2002) and The SpongeBob SquarePants Movie (2004). The British television series Spooks does not feature any credits, as a result of a decision made by the producers to add to the anonymity of the show's content (about the British Security Services). Instead, the credits appear as a special feature on the series DVDs, and also on the official website.
As in motion pictures, most television programs until relatively recently did not list the entire cast and crew.
Some closing credits include out-takes. Sometimes a parting scene is edited in after the credits conclude as a final joke. For example, in Ferris Bueller's Day Off, Ferris appears and breaks the fourth wall to say "You're still here? ... It's over! Go home!" And Animal in The Muppet Movie bellows "GO HOME!" The Zucker, Abrahams and Zucker films have included fictional production members, credits unrelated to the movie ("Author of A Tale of Two Cities - Charles Dickens"), cooking recipes and song lyrics in their closing credits, while Monty Python have included credits for ridiculous and non-existent production staff. On some occasions, the filmmakers will have a character come back and pop in during the credits to see the goings-on (a noted example is Finding Nemo, in which several characters interact with the credits like they are physical objects. When a special episode (polar, American etc...) of the popular motoring show Top Gear is shown, the credits change to someone iconic to that episode. For example, in the American special, everyone's first name was Billy Bob: Billy Bob Clarkson, Billy Bob May, Billy Bob Hammond etc... Another noteworthy example is Daffy Duck appearing in the credits of Gremlins 2: The New Batch complaining about how long they run). On other occasions additional scenes to advance the storyline (as in Wild Things, and Pirates of the Caribbean: At World's End), influence or guide the viewers to a possible outcome of the film's conclusion like in WALL-E or set up sequels (as in Transformers and Iron Man) may occur after the credits roll. The closing credits for the extended edition of The Lord of the Rings: The Return of the King have sketches of the characters and the actors who portrayed them.
Sometimes the closing credits include bloopers. This was spoofed in the closing credits of A Bug's Life, with shots of the animated characters fumbling their lines or knocking over the scenery(!) This tradition has carried over to other Pixar films, including Toy Story 2 and Monsters, Inc. Most of the Jackie Chan movies also provide bloopers or humorous outtakes made during the production of the movie.
On Father's Day, Big Brother UK credits everyone using their father's name. For example, Steve Jones would be billed as "Adam Jones' son." The 2006 film Clerks 2 by Kevin Smith features an extended closing credits that included a list of anyone who joined Smith's "friends network" on MySpace.com in the months building up to the film's release. The very long list of credits (in multi-column format) has forced some theaters to either stop the projector early or to cut out sections of the film reel so that the theater could be cleaned in time for the following showing. Upon the film's release, Smith announced that he would continue the MySpace friends credit list through 2006 and would include any new names on the DVD credits when the film is released on DVD, which he did.
On American television, the time the viewers spent watching the closing credit roll was often considered an opportunity to promote other shows on the network. Typically, this was accomplished by dipping or muting the closing music while an announcer on voice-over pitched another program – each announcer would often remind the viewer to "stay tuned" for the following show. Examples included Ernie Anderson on ABC, Alan Kalter on USA Network until 1996, and Phil Tonken on WOR-TV (now WWOR). To help avoid cacophony with the theme song, most American TV shows produced since 1970 had few, if any, vocals in the closing music. As technology advanced, however, networks decided to replace the voice-overs with full-blown visual promos.
In the U.S. (but not necessarily in other countries), networks now run a split-screened version of the show's credits to allow for running a promo (known in some circles as "generic credits", "split-screen credits", "squeezed credits" or "credit crunch").[2] NBC started this practice in fall 1994 with a strategy called "NBC 2000," designed to keep viewers from channel-surfing. At that time, the credits were displayed on the right side of the screen, using a typeface on all shows that differs from the one used in the actual closing credits of each individual program (hence the common nickname "generic credits"), with "promo-tainment" (vintage scenes, trivia questions, etc.) on the left side or, for shows likeFriends or Frasier, a tag sequence. Shortly after its adoption, the network shifted from "promo-tainment" to just airing promos for other NBC programming.[3] All five major commercial broadcast networks (ABC, NBC, CBS, Fox and The CW) use this format; in mid-2004, Fox was the first major network to shift its credits to the lower one-quarter of the screen, and by the end of that year, ABC and NBC followed suit. In 2005, CBS, the WB, UPN (and, when it signed on, the CW) began shifting credits to the lower quarter of the screen, and most channels owned by the MTV Networks unit of Viacom (including MTV, VH1, Nickelodeon and Comedy Central), Lifetime and Lifetime Movie Network (though in June 2011, it was abandoned on their movies and scripted drama series, in favor of showing the original studio credits on the lower half of the screen), BBC America and (on certain syndicated programs and films) ABC Family. Since 2009, pay TV service Showtime also uses generic closing credits on its original series, and is the only premium channel to use this format. Some of the aforementioned cable channels, particularly the Nickelodeon channels (except Nick Jr.) and until recently ABC Family have removed tag scenes or blooper reels originally featured during the show's end credits, replacing them with marginalized credits to air promos for other network programming.
On some shows, the credits are reduced to either a rapid-fire crawl, or quick-flashing cards; in some cases, each credit would appear on-screen for less than one second. Sometimes a promo would run shorter of the normal time it would take to run the credits at normal speed. Thus, the credits even "sped-up" near the end in order to show all the credits before the promo ended (a prime example of this is NBC's showing of Titanic, in which there were so many credits to be shown in so little time that credits switched almost every frame, making it impossible for anyone to read, even with a slow motion capability—this also occurs on some telecasts of the network's new series Titanic: Forever and Ever, in which when the executive producer credits and director credits went in their original speed, the producer, production designer, and et cetera went on rapidly. And The Biggest Loser, particularly during the season finale episodes). Starting with the 2004 season, ABC's sitcoms air their closing credits at the bottom of the screen, during the closing scene in a format that keeps in-line with the network's generic credits look. These credits, however, air without the dark-colored bar that airs during their other prime-time programs, except for promotional consideration tags that appear near the end of the credits. In other words, the credits are superimposed over the closing scene's action.
Most daytime soap operas used closing credits for many years. Most of the shows aired during the week (e.g. Monday through Thursday) would list just the main people involved with the production and a few of the principal actors and actresses. However, given the large number of people involved with the production of each serial, a full cast and crew credit crawl could last three minutes or longer. Because of this, an expanded credit roll would often air at least once a week, such as on the Friday show, with the closing theme often an expanded version of the show's opening music. Starting in 1999, soap operas began eliminating the full-screen crawl in favor of the one-third screen credits/promo combination. While NBC, ABC and CBS soaps all use the upper portion of the screen to show advertisements for primetime programming, ABC soaps showed previews for the next episode until 2008. Daytime soaps that are rerun on SOAPnet continue to use full-screen credits. Around Christmas time, ABC soaps air holiday-themed credits, which do not feature network promotions; One Life to Live, in particular, scrolls the credits over a shot of a lighted Christmas tree. CBS soaps also air holiday-themed credits that also do not feature network promotions; most of their airings are "classic" airings from previous seasons, and the credits usually include a fully decorated Christmas tree, a fire burning in the fireplace in the background, etc., complete with random Christmas music and ending with the cast breaking the fourth wall with a holiday greeting.
Daytime game shows worked in much the same vein as soap operas. A shorter version might list one or two people involved with the production, along with such plugs as for prizes and wardrobe providers. At least once a week, a full-length credit roll would air over the extended main theme (along with camera shots of such things as the contestant talking with the host and/or celebrities). By the mid-1990s, The Price Is Right was the lone daytime game show remaining, and it would eventually switch to marginalized credits, starting in the fall of 1999. Game shows that have the full closing credits that do not scroll up include Go, The New $25,000 Pyramid, both the Dick Clark and John Davidson versions of The $100,000 Pyramid, the original versions of Beat the Clock, To Tell the Truth, Password, What's My Line?, and The Price is Right with Bill Cullen, and the original Mike Adamle version of American Gladiators from the second half of the first season to the end of the series run.
Some cable channels have used credits to blur the lines between the end of one show and the beginning of the following program. TNT and TBS had formerly ran the program's end credits in small (sometimes illegible) type at the bottom of the screen while another episode of the same program began at about three-quarters height. Similarly on networks like E! and Style Network, the program-to-program transition is seamless; to do this, the networks have moved the closing credits for their programs to air within the first minute of a show, usually on the bottom 1/3 of the screen in small, translucent type. For E!, the closing credits for the program being seen at that moment is seen at the start of that program; for other networks that use this practice, whether they use a double-box or generic credit format, the closing credits for the preceding program is seen during the opening of the next program. A few networks such as Nick at Nite, Comedy Central, Logo and TV Land have even moved the production company cards (displayed in a small box) in their network-generated credits (for Nick at Nite, this is done only when the generic closing credits are shown at the beginning of an episode of a show during back-to-back airings of most series, while a promo/generic credit combo followed by the production company credits are shown at the end of the last episode of a show's back-to-back block).
Often, the network-to-local transition between the end of the network primetime schedule and late local news on broadcast networks will feature the network show credits on the bottom of the screen, while the local news teaser sequence, station identification, news opening, and then the top story will take place. Once the credits end, the local news broadcast zooms in to fill the screen and the hand-off is seamless. Despite some objections by television production unions, some programs, such as those that air on Discovery Networks and the U.S. version of the National Geographic Channel only air the credits during a program's premiere broadcast, referring viewers to a website to view the credits in subsequent broadcasts.
Some networks, such as GSN, have even begun cutting off the credits before they finish, most likely to allow more time for commercials, though GSN has begun to squeeze the production company closing credits to the bottom third of the screen and show the entire credits during that time; Spike (only on its original programming and certain syndicated shows), Oxygen and Hallmark Channel also squeeze the production company credits to the lower third of the screen. Some cable channels mix use of generic and the actual production company credits depending on the show, ABC Family currently airs generic credits on most acquired programs where most episodes have no tag scene, while acquired programs where most episodes do feature one, the tag scene and/or production company credits are aired full-screen, and since June 2010, the channel's original series have the closing credits overlayed on the final scene of the episode (though they are still separated in airings of their original programs via its website and VOD service).
Full closing credits are still created by the production company and are used in syndicated reruns of a program, and are always seen if the program is released as a DVD box set, is broadcast via video on demand or is streamed online via the network's website or websites such as Hulu that specialize in airing TV programs. Many animated shows, still maintain and air the full version of the credits.
From 1993 to 1996, ABC displayed the show's closing credits produced by the production company in a two-panel format, with the actual production credits chroma-keyed to shove to one side of the screen with a video promo for other network programming on the other side; since the late 2000s, there has been a trend of cable channels using this credit display format, usually shown in a vertical or (usually) horizontal double-box format similar to that used in television news to toss to and from field reports. ION Television is the only commercial broadcast network using a double-box format; all others using this format are cable networks including Disney XD, Syfy, USA Network, WGN America, most of the Turner networks, such as TBS, TNT and at times Cartoon Network (Cartoon Network uses generic credits on some programs), and during syndicated programming only on G4, SOAPnet and TruTV. In some cases, the show credits return to full-screen in time for the production company logos at the end of the credit sequence; though a few channels such as TNT and Cartoon Network do not shrink or expand the original closing credits from full-screen and back at any point during the credit sequence and a promo is shown along with the production company credits throughout.
Spanish-language networks typically do not use generic credits or marginalize the credits for network promotion; however during movies aired in prime time, Telemundo and Telefutura do air promos whilst the closing credits as produced by the film's production company are scrolling, usually shown in the speed scroll commonly used for basic cable or broadcast syndication runs of films due to time constraints. Similar to the aforementioned program-to-program hand-off during the credits, TBS and TNT, as well as some A&E programs, presently show one program's original production credits, in a double-box style side-by-side with the next program's cold open; TBS does this only from 6 a.m.-11 p.m. ET and TNT from 6 a.m.-midnight ET, and a promo may be shown if the next program's episode starts with the opening credits immediately followed by a commercial break and the double-box credit format is done with movies airing outside of late night).
Chiller, Adult Swim, GMC, TV One, Boomerang, and Viacom-owned Nick Jr., BET, Centric and Tr3́s do show the original program credits full-screen; TV One in particular often uses voice-overs to promote other programs. TeenNick (dating back to its existence as The N) also showed the closing credits full-screen on most shows that have a tag scene, though those that did not have a tag and a small few that did used the double-box format, though since July 2010, a generic credit sequence has been used on most programs, causing the elimination of tag scenes on a few programs.
Since 2006, Disney Channel runs tag scenes during the closing credits on all of its original scripted programs including preschool and animated series; the channel also overlays the credits over the final scene in special airings of Disney XD's original live-action series, which are normally kept separate when aired on Disney XD; since the 2009 original movie Wizards of Waverly Place: The Movie, the channel's original made-for-cable films also feature outtakes during the closing credits. Premium channels Showtime and Starz, as well as most basic cable channels, such as AMC and FX, have also squeezed down the standard production credits of some or all of their movies to the bottom half of the screen (usually starting about 15–25 seconds into the credits and ending anywhere from 30 seconds to three minutes before the end of the credits) with the film credits running at normal speed in order to show behind-the-scenes features or network promos; HBO, Cinemax, Encore (since September 2009), Epix and The Movie Channel do not do this with any of their films. Starz and Encore are the only premium channels that promote original series and upcoming films with an info box that appears during the ending credits on their programming.
American Idol, America's Got Talent, Dancing with the Stars and So You Think You Can Dance are also exceptions, showing the full credits in a rapid-fire card format as the shows close (along with voting disclaimers). Between 2008 and 2009, both ABC and Fox aired their sitcoms' closing credits in the shows' respective credit fonts, instead of the network generic font. Another exception is the NBC series Chuck, which shrinks the credits to show a promo for the next episode. The only CBS program that runs its end credits free of side-screen promos is its Hallmark Hall of Fame series, with its full scrolling credits, the way it was produced and intended to be seen. Fox's airings of The Simpsons also currently air full-screen (from the late 1990s to 2008, the network usually aired the voice credits for the actors and special guest voices full-screen before switching to generic credits for the rest of the roll).
Internationally, some networks like the BBC also use a double-box format for the closing credits; the BBC has even laid out guidelines as to how the credits must be shown on its networks[4]; closing credits must be shown at the center of the screen and be either separate cards or scroll vertically (percentage reduction testing in an editing suite is required in post-production to ensure readability), the BBC networks and other unrelated broadcast, cable and satellite channels in the United Kingdom such as Nickelodeon UK will squeeze and reduce the credits to 60% of their original size and crop them, returning them to full screen in time for the production company credits, in a manner similar to many of the aforementioned American cable channels.